“That album pretty much taught me how to write songs. I was playing guitar at the time it came out and I remember playing Still Haven’t Found What I’m Looking For and thinking ‘f—in’ hell, it’s so simple’ … but it’s amazing, the simplicity of these songs is amazing and really, without Still Haven’t Found What I’m Looking For there wouldn’t have been a Live Forever.”
Bowie has become more of an influence over the last three years … he was fearless.
Released almost eight years after he first heard The Joshua Tree, Live Forever was penned by Gallagher and was the third single from Oasis’ debut album Definitely Maybe. The song, sung by younger brother Liam Gallagher, was the first Oasis track to crack the British top 10 and catapulted the band into the rock ‘n’ roll stratosphere – a place where only the music world’s genuine stars shine.
“I’ve always been a fan,” Gallagher says of U2. “They’ve become like family to me now, I’ve known them for almost 30 years, I know all their kids and their wives, that’s why this tour is such a great thing for me to be able to do. I’m really lucky. U2 shows are always a 10 out of 10 experience, it’s just amazing, but what I’ve also been impressed by is the vibe. When you get a band of U2’s size, the people around the band are mostly Americans, but this is all Irish people, it’s the biggest movement of Irish people since the potato famine. Lovely, lovely people and it’s a real privilege to be on the tour, hanging out and all that … then on top of it you get paid at the end. It doesn’t get any better.”
And this from a man who’s earned considerable wealth, not only touring with Oasis between 1991 and their famous split (following a stoush between himself and Liam after a gig in 2009), but from also being that band’s chief songwriter.
At their height, Oasis were on a different level to most of the bands making headlines in the ’90s. Despite – or more likely because of – the unending fascination (particularly in the British press) with anything about Noel, his quirky brother and the group they personified for close to two decades, the older Gallagher is happier talking about his beloved football team Manchester City, upcoming shows and where he finds inspiration.
He’s only just released the second of two EPs this year; the latter This Is the Place he describes as “what Oasis would sound like now with electronics and drum machines” if they were still making music.
“The biggest change now is that I’m in a phase of writing in the studio as opposed to writing at home, but mostly wherever there’s not a lot of people around … some people need a lot of people around, I don’t,” he says.
“If I’m at home, it’s me on my own, and if it’s in the studio there’ll be at most two other guys, but they’ll be engineers, not musicians, and they won’t have an opinion, they don’t get an opinion.”
Some things, it seems, don’t change, even if he’s using more drum machines than drummers in the studio. All the way back to when Oasis first started, Gallagher has sought creative control of whatever he’s working on.
“For me, the work has often been an anchor in a sea of chaos, so if I don’t take the work for granted and I respect what I do, then I’ll be fine,” he says. “It’s a lesson I taught myself … and I’m still here.”
His shift away from drums and guitars, in favour of a sound more akin to his 1999 collaboration with the Chemical Brothers on their enormously popular Surrender album, was a long time coming, helped along by producer David Holmes, who worked on Gallagher’s 2017’s Who Built the Moon album.
“David said to me at the outset, ‘Why are you always playing the f—in’ guitar?’ and I said, ‘’Cause that’s what I f—in’ play’. And then, he’s like, ‘Can you play a f—in’ synthesiser?’ It took me about a year to get out of the mindset of being the guy who picks up the guitar and is trying to come up with the riff, you know what I mean? Virtually everything I’ve done over the past four or five years, the guitars have gone on last. It’s a fun phase and it’s still me … the songs are up, but it’s a radically different sound.”
Like U2, who were an early and lasting influence on young Noel, David Bowie has become a more significant figure for the older, more mature Gallagher in terms of the late musician’s unswerving dedication to his art.
“Bowie has become more of an influence over the last three years,” he says. “Just thinking, ‘What would he do?’ He was fearless, he didn’t give a f—. I remember at the time Let’s Dance came out [in 1983], I loved Let’s Dance and the old David Bowie fans vilified him for it. If I’m in that place now, the Oasis fan base being split over what I do, that’s a good place to be because the artist will always come out on top.”
Noel Gallagher’s High Flying Birds is at Marvel Stadium, November 15, supporting U2’s The Joshua Tree tour.
Martin Boulton is EG Editor at The Age and Shortlist Editor at the Sydney Morning Herald